Category archives: licht

AYBEE at CDR Berlin

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Recently got participate in the CDR Berlin workshops. Massive respect to Levon, Enrico, Dirk, Tony and who came out. It was an honor, and a great evening.

Deepblak B-LAB 01

B-LAB 01

Deepblak’s 1st Berlin studio. It went thru 2 versions in 2013. The first in Neukölln, and 2 months in the summer in Prenzlauerberg before the birth of the Halle in fall 2013. Projects of note were soundtrack work for Ava Duvernay’s “Venus Vs.” documentary, and work with Fred P. on projects that are unreleased.

AYBEE apart of “Middle Of Nowhere” soundtrack

A friend and fantastic Radio Host in L.A by the name of Morgan Rhodes shot me an email in 2012. She said that she was working as musical director for an upcoming film, and that the Director selected one my tracks (AYBEE ft. Omega – In Every Way) from a batch she submitted. She asked if i would interested in licensing the track, and of course i replied yes.

She said that the film did not have distribution and the director was preparing to submit it to the Sundance Film Festival. She sent me over a license for $1, and said the terms would be renegotiated once distribution was secured. The film was “Middle of Nowhere” and the Director Ava Duvernay went on to win Best Director at Sundance 2012.

The rest as they say is Herstory. What an incredible honor it was to be apart of such an amazing moment.

DBHOS (LAB LINDA) (2007-10)

During it’s operation from 2007-10 it over-saw the production of AYBEE’s 1st album the “East Oakland Space Program” and the release of Afrikan Sciences “Means and Ways” . With that marking a major milestone for the Label, the most important bridge it facilitated was Deepblak’s transition into Live Electroniks. With Afrikan Sciences leading the way, and under the guidance of seasoned veterans Blaktroniks a new path opened. The jam sessions were birthed….







RAMMELLZEE (1960-2010)

via Wikipedia

Rammellzee (or RAMM?LLZ??, pronounced “Ram: Ell: Zee”, born 1960 in Far Rockaway, Queens, New York), was a graffiti writer, performance artist, rap/hip-hop musician and sculptor from New York. His death was announced on 29th June 2010.

Rammellzee’s graffiti and art work are based on his theory of Gothic Futurism, which describes the battle between letters and their symbolic warfare against any standardizations enforced by the rules of the alphabet; his treatise, “Iconic Panzerisms”, details an anarchic plan by which to revise the role and deployment of language in society. Rammellzee is often identified as an artist apart of the Afrofuturism canon; Afrofuturism is identified discourse concerned with revisioning racial identity through the tropes of science fiction and fantasy narrative or aesthetics.

He was also instrumental as one of the original hip hop artists from the New York area who introduced specific vocal styles which date back to the early 1980s.[citation needed] His influence can still be heard in contemporary artists such as The Beastie Boys and Cypress Hill. His song “Beat Bop” was featured in the film Style Wars.

Discovered by a larger audience through the 1982 cult movie Wild Style by Charlie Ahearn, his fame in graffiti circles was established when he painted New York subway trains with Dondi, OU3, and Ink 76, and doctor Revolt. Rammellzee was also a member of the Death Comet Crew, with Stewart Albright and Michael Diekmann. In 1988, he and his band Gettovetts recorded the album “Missionaries Moving.” In 2003, Rammellzee performed at the Knitting Factory in New York with the newly reformed Death Comet Crew; subsequently, Troubleman Unlimited re-released recordings made by DCC between 1982 and 1984; additionally, their single for “Exterior St.” was featured on the compilation, Anti-NY, with contemporaries, Ike Yard, Sexual Harassment, and Vivian Goldmann, among others. In 2004, he released his debut album Bi-Conicals of the Rammellzee, produced by Gomma Records. Rammellzee also performed at Knitting Factory with guitarist Buckethead several times.

His artistic work has been shown in art galleries throughout the US and Europe. Currently, Rammellzee’s Letter Racers, and other Noise includes artistic works by individuals mostly identified with their musical contributions.

In a recent interview, he stated that his name is derived from “RAM” plus “‘M’ for ‘Magnitude’, ‘Sigma’ (?) the first summation operator, first ‘L’ – ‘longitude’, second ‘L’ – ‘latitude’, ‘Z’ – ‘z-bar’, ?, ? – ‘summation’.” He now performs in self-designed masks and costumes of different characters, which, as he states, represent the “mathematical equation” that is Rammellzee. On the basis of his “Gothic Futurism” approach, he sometimes describes his current artistic work as the logical extension into a new phase which he calls “Ikonoklast Panzerism.”

Rammellzee makes a cameo appearance near the end of Jim Jarmusch’s 1984 film Stranger Than Paradise.

Gothicfuturism.com

Deepblak | Eastbay Express Feature (2009)

East Bay Express - Fade to Deepblak (2010)

Fade to Deepblak
How an East Oakland native creates space for techno.
By Zoneil Maharaj

As head of the innovative Oakland-based label Deepblak Recordings, producer Armon Bazile always has his eyes wide open to the pulse of emerging music in the Bay Area. “The musical underground railroad is rumbling,” he said. “There’s some brilliant stuff going on, especially here in Oakland. A lot of people are taking chances again.” But for Bazile (aka Aybee), it’s been an uphill battle without armor. Read Full Article >>