After shifting through a few different monikers the last year Deepblak Rhythm Czar Afrikan Sciences returns to form. Laced always with his elastic funk forward grooves the “Reciprocity” EP continues to build on his legacy. One that has consistently morphed diasporic rhythms into new colors. Creating new space on the dance-floor as well inside the mind. Four independent yet intertwined tracks all meant to make you oscillate inward outward.
Afrikan Sciences (Eric Douglas Porter) stands solidly as one of the most innovative producers to surface on the west coast in near time. The Deepblak Co-Head affectionately titled the Rhythm Czar has steadily become one of the most well respected creators in Electronic music. Ever the artist Eric maintains a low profile staying true to his craftsmanship. Along with his releases on Deepblak his music has found it’s way on to other labels such as UK based Bitasweet (Bugz In The Attic), Puerto Rico based Amalgama, German based Rubaiyat, and Gilles Peterson’s Brownswood imprint. As a student of the rhythmic arts, Eric is also an accomplished DJ/Live Performer having opened shows for acts like Outkast, Rakim, Dead Prez, played in the Band of nu soul icon Julie Dexter, appeared in clubs like the BlueNote/New York & Jazzcafe/London. His project Student Body Presents recently caught a lot of attention with the “afro punk” track “boxes” which was released on the “Black Rock Coaltion” CD (New York), and as a 7inch on Rubaiyat.
– “ This is not your usual electronica album: it’s fresh,exciting & brave enough to follow a different way; deepness galore!” Georgia Ann Muldrow (Los Angeles – Stones Throw)
In 2011 Porter released his benchmark album “Means and Ways” LP which brought him universal praise as one of the ground breaking artists/albums of the year.
Douglass’ preoccupation with rhythm, however, fixates on the oddities—the mutations, the dualities and instances of bare collision. His hoarded beats are gleaned from a whirlwind of origins—west London broken beat, the east coast’s ’90s house, ’40s jazz, indigenous African and Latin rhythms—but they’re deployed concurrently and unexpectedly, with cross-beats and displacement used as accents in his own pidgin dialect. ~ Resident Advisor
